CERAMIC ARTIST
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ARTIST
Wang ZhaoBing
Advanced Craft Art Museum in Jingdezhen City
Ambassador, ceramic art ambassador favored by Chinese collectors, managing director of the China National Flower Garden Ceramic Art Exchange Center, special painter at the Jiangxi Branch of the Chinese National Flower Garden, director of the Changnan Ceramic Research Institute of the Chinese National Flower Garden, and art director at the Jingdezhen Artist Factory, director of the Pyeongsan Yao Ceramic Calligraphy and Painting Center, art advisor of Jingdezhen Sanguan Yao Ceramic Center, the 3rd inheritor of Jingdezhen ‘Zhou Shan Pal Wu’, Wang Lao Jeong family, son of Jingdezhen ‘Zhou Shan So Pal Wu’ Wang So-jeong.
From a young age, Wang ZhaoBing learned pottery painting following his father Wang XiaoZheng, and under the influence of his father’s Enchantism, and because he received direct guidance and orders from his aunt Wang GuiYing (a master of Chinese crafts), Wang ZhaoBing’s art developed dramatically. As a result, he gained deep knowledge of the Wang School’s landscape, water, and painting, and showed an innovative spirit in the Jingdezhen art world in the 1980s and earned deep praise from a wide range of ceramics collectors.
Wang ZhaoBing’s paintings cover a lot of his country’s homeland and his country’s mountains and rivers and scenic spots, and he himself is skilled in powder painting, ink painting, wooden painting, landscape painting, and figure painting. He himself gained a deep understanding of the essence of traditional art by understanding pottery materials, tools, process standards, and process changes before and after firing and baking. The ink-and-ink sculpture of the work does not reveal outstanding craftsmanship, but rather connotes emotions and feelings as it swims and swirls with each stroke flapping its wings. The powdered colored pottery he painted is free from craftsmanship, and brilliantly covers composition that has bright colors, clear landscape and is glossy.
Wang ZhaoBing was born in a pottery family, and his pen name in the shining Damengpa landscape is Joongim, so he must not only inherit, but also not innovate, and must have his own products. His grandfather, Wang Luzheng, is good at painting landscapes, and his father, Wang Xiaozheng, is a member of the ‘Zhou Shanxiao Eight Friends’ group and is known as a famous Jingdezhen porcelain artist. From a young age, he followed them, learned landscape painting and laid the foundation for creating landscape paintings that fostered the royal school.
Innovating while inheriting the landscape. Even technique has its own style. He cited the biggest difference between Wangpa landscape painting and traditional artists as whether it is possible to inject emotions into ceramic paintings and create ceramic works with new aesthetics, mood, and meaning. So, he collected styles from all around, took many pictures of landscapes, studied them, locked them up in his house, and recreated the work using his memories of the photographic images and his own artistic ideas. Therefore, his work was able to combine the concept of the screen landscape, the completeness of the screen composition, the power of the brush and ink, the painting technique of landscape trees and trees, and the technique of landscape design all in one place.
ARTIST
Cao Qinghai
- 코딩 지식 없어도 누구나 쉽게 수정하실 수 있습니다.
- 저렴하지만 수백만원에 버금가는 디자인입니다.
- 무겁고 느리지 않은, 빠른 속도의 홈페이지를 제공합니다.
- 쉽게 수정하실 수 있도록 메뉴얼이 준비되어 있습니다.
- 십분의일은 수준 높고 한 눈에 들어오는 디자인을 추구합니다.
- 다양한 레이아웃과 디자인이 준비되어 있습니다. 더 둘러보세요!
Cao Qinghai was Born in 1963 in Inner Mongolia’s Kerqin Grassland, he has been painting for more than 30 years and was specially invited as a military painter to a section of the Beijing Military District in 1982. After being discharged from the military, he worked in art college entrance exam training for many years. With many years of experience in art education, he won the 1st Tangshan Craft Art Master, the 1st Grade Craft Art Master, and his contemporary work “Ears” won the first prize. He drew a lot of attention by painting a 975m2 sized ceramic painting called “Yangtang River Great Map” at the high-speed rail station in Naegang, Sichuan Province.
Currently, he is teaching pottery craft techniques to professors and instructors from universities such as Inner Mongolia University of Education, Inner Mongolia University of Arts, Inner Mongolia National University, and Inner Mongolia University of Science and Technology.
Artist Cao Qinghai’s brush is exquisite, he is skilled in absorbing the principles of art from traditional techniques, and he constantly seeks his own artistic path and forms his own artistic style, and his works are praised by all walks of life and rare collections.
ARTIST
Cheng JianJun
In 1995, Cheng JianJun established the ‘Unjaheon’ studio and sold a lot of his paintings to overseas. Over the years, his works have won many awards in many evaluation competitions, for example, ‘King’s Wind’ won the silver prize of ‘China Craft Art Culture Creativity Award’ in cooperation with Shenzhen Baojialin Investment Co., Ltd. at the 8th Cultural Expo in 2012, won the gold medal at the most artistic and valuable work selection event at the cultural fair art exhibition and trading center ‘Goyejinja·Guksugihwa’. Over the years, many of his works have won several awards in some evaluation competitions and have been greatly loved by many collectors, and some works have once been collected by national leaders, Taiwan leaders, provincial and municipal leaders, and provincial and municipal museums.
Cheng JianJun is from Palil Mountain, was born in 1973 in Luping, Jiangxi Province. He is a Jiangxi Province high-level craft artist, a member of the Jiangxi Province Crafts and Art Association, and a member of the Jingdezhen Art Association. Cheng Jianjun loved art from a young age, and in 1992, he studied landscape painting under Wang Yunquan. Then, he visited Guizhou to learn animal painting. He humbly asked for guidance, studied diligently, and took advantage of compatibility and storage to make up for his shortcomings.
Cheng JianJun focuses on absorbing the theory of Chinese literati painting, the brush strokes are archaic and simple, the realm is empty and pursues antiquity, some works combine the characteristics of porcelain with Western painting techniques and created a mechanism effect and visual impact that traditional Chinese painting cannot achieve.
The completed work strives to make viewers feel like a spring breeze hitting their faces or like clear, clean spring water. The subjects of Cheng JianJun’s work are mainly people and animals, and he works on a variety of subjects.
ARTIST
Luo Guohua
Luo Guohua was born in 1973, is the founder of Ceramic Duicai(陶瓷堆彩). He graduated from the Oil Painting Department of the Chinese Art University. He is the professor of Chinese Calligraphy Artists Art Creation Center, art consultant of China International Art Network, member of China Arts and Crafts Artists Association, member of Jiangxi Fine Arts Association and master of Chinese arts and crafts Consultant.
During the more than ten years of studying ceramic pigments, combined with his own ideas in oil painting art, he successfully created unique ceramic painting works. His ceramic art works are thought-provoking and come from real life. His works widely draw on Eastern art and Western realism techniques, fully exploring the beauty in the natural mechanism of ceramic materials, using virtuality and reality to complement each other and his simple artistic techniques which leaves a lasting impression for the viewer.At the same time, it also has high artistic aesthetic value.
In 1992, he participated in the mascot design of the “First International Ceramics Festival in Jingdezhen, China” of who won the second prize and the third prize for promotional poster design. In the same year, he participated in the Jiangxi Youth Art Exhibition, and his work “Going South”(南下) won the first prize. “Chinese Language News”, “Jingdezhen Daily”, “Jiangxi Daily” and other newspapers have published his works.
ARTIST
Jiang GuoHui
JIANG GUOHUI was born in 1956 in a ceramics family in Jingdezhen, he was taught by his grandfather (a famous ceramicist in the Republic of China) CHENG ZIXU since childhood. When he was young, he lived with his grandfather and was influenced by the art of his grandfather and his grandfather’s co-workers WANG BU and LU YUNSHAN. In the process of learning he was influenced by the styles of ZHANG DAQIAN, LI KERAN and WU GUANZHONG.
During his career, he combined the technical characteristics of traditional Chinese painting and ceramics to form a unique personal style. He specializes in the comprehensive decoration of underglaze Blue and White in glaze multicolor in glaze.
In 2015, he won the Gold Medal Certificate for Excellent Works, which was only awarded once during the 100th anniversary of the Panama International Exposition (1915-2015).
